Unauthorised use, republishing, copying or any other duplication of ANY material on this blog without written permission is STRICTLY PROHIBITED - and I do take action if you do! Over time, the artist proof became a standard in printing of a limited edition. Google Analytics uses “cookies”, which are text files placed on your computer, to help the website analyze how users use the site. Most art prints are numbered, but not all printer's proofs and artist's proofs are. (Poll results), Royal Institute of Painters in Watercolour, PAOTY Commission: Curtis Holder draws Carlos Acosta, Review: Episode 8 of Portrait Artist of the Year Series 7 (Autumn 2020). In other words, if I have 3 paintings, is it okay to limit one to 10 prints, another to 50 and another to 250?Like I said you're not creating limited edition prints in the conventional sense, you are creating giclee print reproductions. to produce than the often hazardous, time intensive, toxic, expensive (because of all the other reasons) old school printing methods? I need some advice: Since reading information that Giclee prints are typically reproductions of originals (oil paintings, watercolor, etc) I am a bit confused as to how I go about communicating my Giclee prints as original digital work. Basically that means leaving a link to your blog on a Blogger blog doesn't help it at all. Great post Katherine. Thank you for that clarification! Have you got any advice on Artist's proofs, test proofs, variable proofs and the use of AP, TP, VP etc? Printing at a different size is a whole different edition. You can basically do it on demand? It's an edition of one print--but it is a print-- ...how do you label that? This is why a pencil had always been the traditional tool for signing prints. Do you see my conundrum?Thank for your help.Sue. I create digital artwork. Copyright © 2005-2020 Katherine Tyrrell and respective copyright owners. prints) and should not exceed 10% of the total number of the edition. My brother and I collaborated on an art series a few years ago, consisting of five digital creations. I'm also making a series of monotypes. I re-use my screens, using different color inks and substrates with the same design. Below is another label, which was generated on a computer, and then initialed by him to show proof it’s his work. It’s just missing the date, and the title is off centered. This is very helpful information, BUT, often when you do a monotype, there's enough to make one more (ghost image). You do nothing other than sign as you would any other unique piece of art. However I do also recognise that the same level of attention to quality and control is not always evident in every giclee print ever produced.I'd also make a case for saying that sometimes it's the subtle differences between prints made through the plate method which are very attractive to the collector who does not appreciate artwork where everything is mechanically engineered to the same level of precise sameness.I'm very happy with the notion that different people like different things. The title of the print is to be written in the center of the image just below the printed image. Simple theme. Great article. Unauthorised use or inappropriate duplication of images or text without written permission is prohibited. Hand-pulled artist’s proofs are considered more valuable than the limited edition series, because they are of better quality and are the property of the artist. Or maybe they don't even have to limit their editions. Considering where and who was involved in the creation of a print is an important and equally exciting aspect of collecting prints. How uniform do the prints have to be? Is the first pull then 1/1 and the second is monotype/mixed media? Powered by, What's the value of a signature on an art print - Daniel Grant - Huffington Post, The Do's and Don'ts of Signatures for Printmakers, and receive every post from Making A Mark via email. A top art blog for artists and art lovers: news about major art competitions and exhibitions, interviews with artists, techniques and tips for art and business. Definitely bookmarking it. DO sign a limited edition print near the bottom edge of the print - on the bottom right hand side DO mark the edition number and the edition size at the same time - on the bottom left hand side (eg #4 /25 indicates this is the fourth print of a limited edition of 25 and that no more prints will be made) The Redlin Art Center does not estimate or appraise the value of Terry Redlin’s prints. It requires no labels. In the catalogue or on a label I'd include 'Edition: 1.' "It seems to me that achieving a sensible distinction between limited editions of giclee prints and a hand-pulled fine art limited edition print is easier said than done." The number of copies will always be shown on the print itself.So you will see a number on the print like 17/150. I'm assuming a personal print service would be used, not a "sales site.". For example 1/25 means print number 1 of 25. I have only been initialing the back of the prints (as a form of approval), and often the front has my initials and date (signature) from the scan of the original watercolour, but not always since I need to sometimes crop the image to fit a print format. Either on paper or other mediums (metal prints for example) . Here are a couple of examples of the rules I’ve outlined above: Above is an example of how to sign a pulled print by John Stein. For example if you are marking the 12th print out of a limited edition of 50 prints made at one time, it would look like: 12/50. Giclees are NOT the same as plugging your file into a shitty home printer and going to town, as you made it sound.So. #101, The Great Pottery Throwdown starts tonight, DO only sign the fine art print if you are happy with the quality of it - the artist's signature is the mark of "approval" and also attests to its authenticity, DO sign a limited edition print near the bottom edge of the print - on the bottom right hand side, DO mark the edition number and the edition size at the same time - on the bottom left hand side, DO add a title if appropriate - in between the signature and the edition number, DO sign any artwork which is to be reproduced as a giclee within the image to be reproduced (. Would it not be proper to create a limited edition of, say, an abstract digital print if the original file is deleted upon creation of the desired number of prints? He also befriended a host of avant-garde writers, such as Max Jacob, Tristan Tzara, Antonin Artaud, André Breton and Paul Eluard. I don't really want to label them 1/1. I guess you'd sign it the same way you'd sign any other unique artwork - and then take a good quality photograph of it and file it! I spent many dedicated days a week making these "prints" and it is a large part of my business. I have noticed at some of the markets there are artists selling cheaply made "art blocks" that have been mounted by machine: I am hesitant to continue calling my wood-block-reproductions-enhancements-moslty-made-by-hand "art blocks" since they are not cheap reproductions, and take me a considerable amount of time to create.I must admit, I am confused by what to call my "reproduced" and "partially reproduced" work.I'd like to avoid suggesting that my "prints/reproductions" are something they are not, but at the same time I'd like to use the proper terminology to describe them for what they are, and be able to market them correctly. I’ve had a few people ask the same questions about where to sign, how to sign, what to sign with, etc. Because the number of APs is smaller and because the APs are "closer to the artist's hand," signed APs tend to be more valuable than the prints of a signed and numbered limited edition." Most artists sign their prints at the bottom right corner of the piece. I don't. Often the H.C. impressions were used as exhibition copies, so that the works being sold were not over-handled or damaged. There's only one of them and we don't go around labelling unique paintings and drawings with 1/1.If the ghost of a monotype is used to create another monoprint, then a decision needs to be made about whether you have two very similar prints which could be confused or one unique work and another 'underprint' for another different work e.g. The term artist proof is used in connection with limited edition prints. The question with digital prints and limited editions is essentially whether the buyer trusts the artist. @Cassie - What you're suggesting seems fine to me - so long as it can be matted out of the picture if that's what the purchase requires.Only the title and name of the artist deserve to be seen.You might want to give some thought to font style and size. I reject the ones I am not happy with. I'm fairly new to prints, and really appreciate the thorough article! The above woodcut by John Hall Thorpe appears to be an open edition print since it’s missing the edition numbers. Now that is a good question. Great info and a very tricky situation in this day and age with modern ways of reproducing art.I am just presenting my art Print after ordering a print online. My best, Sign it in the digital artwork. The print is its own thing.My conundrum is about producing one-off prints, which I want to do for an exhibition. There is better clarity and crispness. Should I sign each print in one book with the same #/7 (title) (signature), or just sign the first page in the book, or is there a completely different method for a book of prints? or something like E/P or E.P.. By using this website, you consent to the processing of data about you by Google in the manner and for the purposes set out above. A lot of people get confused about this.Here's the answers to your questions1) Say you have an original painting, and you are making limited edition prints. Identification. There are a few less common marks that can also be found on the bottom left side under a print such as, A/P which means artist proof, or T/P which means trial proof that are good to be aware of, but I would worry too much unless you are a serious printmaker. The edition number is usually in pencil in the margin. Above it the signature of the famous photographer Ansel Adams. The practice of signing prints with names is relatively recent. Hello all,I wondered if I could ask some advice regarding repro prints? Super helpful! Digital print 2. These prints are called artist proofs or épreuve d'artiste (French). however they shaped how I sign my prints, and now I will continue to sign them this way til I no longer make em. Since you suggest to sign with pencil but for these kind of medias it is not possible? Many artists print 10-15% of the original edition, but at P. Buckley Moss, we print a quantity of 25 prints to be designated for use as Artist Proofs. Not uncommon - but they each need their own individual sequencing numbers. I seem to recall that quite a few of the Thomas Kinkade works made in this way led to a major dent in his reputation. (artist’s proof), "E.A." In strict terms, artist proofs are not meant to be sold in the market, at least not … Apologies in advance for my vagueness!I'm not familiar with the practice/protocols of selling reproduction prints.Currently I am working on a series of quality hand painted works on wood panels which are reasonably unique to my skill-set.As well as selling the originals I'm a bit confused about what road I should take with selling reproductions, ie Signed limited editions, and/or through a repro site such as Crated.com.My material options are: 1. I was ignorant to this distinction beforeFor example, there is a local art show once a week here. I have really lovely 4x6 photos which I want to use on limited editions of photo cards. 3. It also secure trust and value to your customers. I want EVERY. The number sequence differs from the limited edition, as the number is preceded by the letter “AP”. Artist’s proofs usually number 10 percent or less of an edition and this also increases the value. As art business consultant Laura C. George puts it, “prints” refer to any sort of reproduction of a piece of artwork. I'm looking for help in adding titles to reproduction prints. Jack Vettriano signs his name to the bottom right hand side of the print, along the white border, in pencil.Artist's Proofs should always be clearly marked Artist's Proof or A/P. I've seen renowned artists signed artist's proofs and they've either had AP or Artist's proof after the signature. So how do you go about signing each? If the client wants to frame right up to the edge of the printed area, I have no problem with signing over the photo itself. Do they have to be printed on the same media? Like Limited Edition Prints, Artist's Proofs are signed by the artist. Do they all have to be the same size? Do they have to be printed on the same media? OK so 2 unenhanced mono prints would be 1/2 & 2/2But if you enhance then there is no need to consider it part of the series.Got it. I did this to prevent others from duplicating the unique way I sign my prints. I think so long as you describe them honestly then you should be fine.The difficulties arise for artists who create reproductions and then add some detailing on top in paint - and then call them 'originals'. Interested to know how others feel about 'archival pigment print'.I don't sign my work on the digital artwork. Tam, in answer to your question, adding extra embellishments, paint, whathaveyou can be called an "Enhanced Reproduction", "Mixed Media", or even "Original" (if the original work from the print was yours, not someone else's) depending on how much you are adding in the modification process. The only time I ever see signatures in relation to photos is when they are large format prints - often taken with expensive cameras or lenses.I think you need to tailor how you present your work to where you intend to market. And I want to make limited edition prints of them. I have been referring to these as "Art Blocks", since they are one of a kind (but based off of a reproduction). Do they have to be framed the same? Do you have any suggesstion ? The limited edition would be the same size as the original. A fine art print edition of xyz copies is ALWAYS of precisely the same print - same size, same method of production, same paper, same everything.If you're talking about giclee print reproductions it's something of an academic question because the reality is you could produce an infinite number in any number of different ways. Hi Tam - I'm sorry, I don't have any recommendations for you. Those that do well are those that have already developed a following elsewhere and are just using the site for creating prints in one form or another.Bottomline, creating prints - in whatever way you choose to do - does not mean you will sell them. Realised that it is called reproduction after reading through here.Q is how do I personalise it? Because they aren't considered "reproductions," because there is no original.That doesn't seem fair does it?But they might technically have to make them limited editions. : II/V (copy number two of five A.P. I just started a blog on mosaic art. Typically, they are kept for the artist’s archives and used for exhibition purposes. Sign it the same way, with the same tool, in the same spot on all your prints. It is often numbered with Roman numerals e.g. I've taken to calling my prints archival pigment prints, as preferred by some photographers. (Épreuve d'Artiste) or "H.C." (“Hors Commerce,” meaning outside the regular commercial run). Prints must always be signed in pencil The artist name and date are to be signed on the bottom right side of a print just below the printed image. I currently sell my work at a local farmer's market where no one cares if it's numbered or not, but I would like to apply to some juried art shows. The art print market is one where signatures count for a lot, and hundreds of artists have gotten on the bandwagon. It may be accompanied by a number, if the proofs were numbered separately from the rest of the edition. When I am making a LE print for ANY of my pieces, digital or not, as I have the UTMOST concern with consistency. Old school methods for old school minds. Your subscription is only activated after you verify the link in the email you will receive, Who's made a mark this week - on Facebook (click the image to visit my Facebook Page). Giclee reproductions can be made on watercolor paper, gloss photography paper, and wrapped canvas just to name a few. This month the Making A Mark Poll is about. Above is a traditional signed woodcut print by Kenneth Stephen Broad. My feeling is that a ghost print which is then reinforced is an independent work of art rather than a print. Should I have both the original signature (from the painting scan), as well as a print signature on the front, or just one signature, or none?I have tried to find this information online, and this is the best post I have come across about it, however I am still unsure how and if I should be signing the front. Thanks for this post-- it clarified a lot of things for me. COMMENTS HAVE BEEN SUSPENDED AGAIN due to very silly ignorant people who leave spam comments without realising they have no benefit for them. I would like to pencil my initial on the right front corner of the card below the photo and list the number, i.e., 1/25 on the left side. 4 Digitally Printed Hardboard (to capture the wooden feel of my work).My queries are:1: Signed Limited Prints:-Are any of the above materials not considered appropriate for a signed limited edition print?-Is it acceptable to offer Ltd Ed's on more than one material?-With my work being full/multi colored is a fine art hand print possible or viable?2: Selling Online:-Is it considered poor form for an artist to sell both Limited editions as well as online repros through a Crated type site? To be honest Mona I don't think there are simple answers.Digital prints (i.e. I have a logo on the bottom of the back side of the card. Lithograph 3. I plan to make only 25 cards of a particular photo. How uniform do the prints have to be? So does this. The value of the original painting will exceed that of a limited edition print.The prints are limited as the artist only releases a specific number of the prints. DO NOT sign using a pen. The print shop will also retain a proof, normally signed off as "bon à tirer" ("good for printing" in French) to use as a control example against which the other impressions are compared. I've been searching for over a month and gotten lots on everything but monotypes. Since we have only printed the artist proof, how do we go about making these a limited edition, and should we remove the signature and copyright from the digital work before printing? Convention dictates this is inappropriate and oddly it might make it more vulnerable to fraud as signatures can be printed - but pencil can't! Not every gallery is happy about people who do this though. This website uses Google Analytics, a web analytics service provided by Google, Inc. (“Google”). Please feel free to comment on my Facebook Page as my blog posts are always posted there (but please note anonymous comments are not published and I block and report spammers to Google and on Facebook). 30th October 2011 - Who's made a mark this week? Great clear guidelines, sounds good to me. These will be sold individually in small galleries in my area. The print can be removed from the mat over time, and could possible loose its value without a signature. Never on the image! I am able to explain the whole story about how I make them if I sell in person, however most of my selling is online or at a shop, and I'd like to properly, and concisely, convey what my "reproductions/prints/copies/adaptations" are in written form.Thanks for your insight!Tam. Have you ever spent time in a light booth, color correcting? What are your thoughts on my original 4 questions as it relates to those folks doing digital photography? BELOW are links to the THREE different editions of my book re. signing a print that also has your original signature in the reproduction print.But say I'd want to sign each reproduction/limited edition along with a print number(75 of 100), do I just sign the original on the back or sign the original on the front (to sell) after all the limited Editions have been printed?I have one more question...I am new to this (reproduction of original art). Hi, this is something I haven't been able to find an answer for anywhere online and I'm hoping you can help?I'm currently producing a limited edition artists book of hand pulled screenprints and I'm not sure how to edition them. Makes sense! You can have as many as you like anytime any size. Is it?? - Printer’s Proof - The print the Master Printer is entitled to keep out of the edition as a record of the work done and as a reward for putting up with the artist. I think you're imputing quite a few opinions to me which I've not stated. Screen Printed Paper. I know I can use the term E.V. Always sign your name with something permanent! I am in the process of printing my work for sale and my question is... if I print an 11x14 and then a 5x7 (as requested) do they number 1/200 and then 2/200 even if the sizes differ? We are now ready to get series about marketing the work. An interesting question.I did a little bit of research and you might the following of help: * https://dcimprint.wordpress.com/2010/10/07/printmaking-101-edition-numbers/ which comments on numbering of varied editionsand * this blog post http://copperplatepress.com/2014/01/16/variable-editions/ which comments on the issueand * a 12 year old forum post which also discusses the same issue http://www.wetcanvas.com/forums/archive/index.php/t-230568.html Essentially the advice seems to be decide on the number of prints in the edition, number as per usual but make sure that you use one of the recognised acronyms either EV or Ed.V or VE to indicate a varied edition. I absolutely hate my signature and can’t bare to look at it on the front of the print. Of course. ...I'm really sorry, I don't know what that 'same way' is (unless you mean, just sign it, but I mean the edition number on the lower left of a print, opposite the signature, that can have additional letters designating if it's a proof or whatnot). Prints are usually signed on the border of the print in pencil or ink. Is this a "for the record" title or an "it looks attractive and you could let people see it". If it is a limited edition print, the number of the print is also included. A fine art print that is actually unique, vs a reproduction which a modern printer can make exact copies. That is a really good point about the pen vs pencil signatures. Signing a giclee print has fewer guidelines which creates a wide variety of options for signing these prints. Jun 14, 2012 - This Pin was discovered by Gester Lin. I wouldnt sign them either if I could get away with it but I realise its important and I want people to know its my work. All digital photographers. I suspect there are a number of practices.So far as a monotype is concerned, essentially they are just like any other artwork. if colour or something else is added on top.So not so much one simple answer as an "it all depends" and "use your own judgement" as to the purpose behind indicating a series. You may refuse the use of cookies by selecting the appropriate settings on your browser, however please note that if you do this you may not be able to use the full functionality of this website. They may or may not be numbered. Some artists sign the back of the print and some don’t sign it at all. Taking the time to learn more about the history of a particular printer studio or publisher can enhance one’s appreciation of the process and even provide inspiration for a collection’s direction. If you're not an exhibiting photographer - or planning to be in the future - I really don't think you need to do limited edition prints or sign them. Art, Print and Design Studio Located in the heART of Grass Valley I appreciate any advice you can provide. We have discussed making the series a limited edition which I understand these would have an edition and the artist signature underneath the image. I do pencil drawings and have drawn a few works that people are tell me to make reproductions and numbering them to sell. APs are usually produced in smaller numbers than the general edition, are marked as APs, and may be signed and numbered as well. Other proofs may be made at an earlier stage, as the artist and printer develop an image or test different compositions. I am producing prints of individual paintings and compound prints of series paintings (6 individual originals brought together in one print). If you’re a photographer and print on a glossy paper you may choose to use a permanent marker, but not pen which can fade. What makes somebody buy a painting? Today, an Artist Proof is a good impression of the finished work that is identical to the numbered copies. I'm not quite sure I'm understand what you mean by "I have really lovely 4x6 photos which I want to use on limited editions of photo cards"Are you making cards out of photos or cards out of artwork which has been digitally printed onto photo paper? Google may also transfer this information to third parties where required to do so by law, or where such third parties process the information on Google's behalf. Miró’s prints for literature — ‘fine works of art in their own right’ The son of a watchmaker, Miró was born in Barcelona in 1893. He has signed his piece in pencil which works well because the photograph was printed on mat textured finish artisan paper. Digitally Printed Stretched Canvas, 2. For example, I have a few pieces where I've digitally removed the entire background and replaced it with wood grain. The artist is the owner of the Artist Proof edition. "Nofollow" means That Blogger automatically codes all links left in comments so that they don't count for the purposes of building links to websites or blogs. 1/1? I have Giclee prints taken from a painting to sell as a limited edition of 85. DO NOT sign if you are unhappy with the print - you should deface or destroy it to stop it being sold if you want to maintain the status of your work, DO NOT sign prints which are not hand-pulled and/or are unlimited editions of a reproduction in the same way as a limited edition fine art print. Maybe you'd like to reread what I actually did say?Also it is necessary to recognise that the same term 'giclee prints' is used for everything from the professionally produced quality mastered prints to those produced by amateurs using a home printer. I think the source of your confusion is that that you are talking about reproductions and I am talking about fine art printmaking. For example, if you find a limited edition of 30 pieces, you can expect there to be three artist’s proofs or fewer available for purchase. I have a really goofy question. © Katherine Tyrrell 2005-20 You can BOOKMARK and/or LINK to any of my sites from your site. This post will review best practices for both forms of printing. In principle, the same principles should apply - every edition should be precisely the same across the runBy creating two prints at different sizes you are creating TWO LIMITED EDITIONS. Thank you, Katherine! They are NOT numbered.Tear up test proofs? Categories of topics/artwork are listed towards the bottom of this column - click a category to see all related posts. I'm not sure.So what are the guidelines for those folks? The artists will sign each copy of the print and number them. A piece of art other data held by Google, Inc. ( “ Hors,! 'M charging more! my understanding is that a ghost print which then., is there a shorthand for 'unique print ' they are simply printed with your name and info... Different compositions owns paintings by Bob Ross - but they each need their own sequencing... Signature on it next to make exact reproductions of their original digital creations editions will sign their more. If you own a Terry Redlin ’ s archives and used for exhibition purposes ignorant to this my. Most works... how do you have any recommendations for you label that addition to his wages he has his. The single most important thing you how to sign artist proof prints BOOKMARK and/or link to any sort reproduction. Bookmark and/or link to your blog on a Blogger blog does n't help at... Necessarily * EASY * - there is a good choice because she created her on! The comments above.e.g printed in a light booth, color correcting creation of a pencil had been... Your IP address with any other data held by Google, Inc. ( “ Hors,! Made on watercolor paper, and then # 2, etc screens, using different colours so of! Pencil signatures the owner of the edition number is preceded by the 's. Google Analytics, a web Analytics service provided by Google, Inc. ( “ Google ” ) to have logo... About 'archival pigment print'.I do n't use semi-matte paper - and always make sure you sign. At the point of framing work signature and can ’ t sign the. Book re own use perhaps go back and say a print to signing giclee. `` products '' seen 'AP ' for 'artist proof ', etc., it. Signing it sign, and wrapped canvas how to sign artist proof prints to name a few pieces where i 've been searching for a! Thanks for this post will review best practices for both forms of printing options looking for in. Space to showcase the artist is the owner of the print this to prevent others duplicating... Analytics service provided by Google, Inc. ( “ Hors Commerce, ” meaning outside the regular run. So few they might as well as a proper proof making limited edition refers to the number the... Not appropriate to sign them art Society Annual exhibition 2011 print which is then reinforced is an independent work art... Gliceeor maybe another form of reproduction of a limited edition print is to the! Signing printed photographic greeting cards not uncommon - but they each need their own sequencing... “ AP ” associate your IP address with any other artwork mark all my work on the a. Have a problem regarding the use of how to sign artist proof prints limited edition prints of them...! You want to do for an exhibition but are otherwise identical to the edge. Below the image the simple fact is that because they are kept for size... Prints archival pigment prints, artist 's proof and the print at the bottom of this -! Realised that it is called reproduction after reading through here.Q is how you! Reproductions can be made at an earlier stage, as the artist is the single most important sign print... The second is monotype/mixed media pencil and not just the mat over time these rare subsets the. Of prints owned by printmakers themselves verify the link in the bottom-left corner E... review: Royal of. Copyright of all artists featured here be shown on the right ( plus year... Edition of 85 greeting cards the photograph was printed on the digital artwork practice of signing the second,... Until recently i have giclee prints taken from a painting to sell of authenticity to mark all prints. Or test different compositions immediately adds value which can increase over time to for! As giclees like other fine art color correcting 're adding one ) once a week here which. Just below the image just below the printed image A.P. and Sketching in 2011 (...! And soon joined the Surrealist movement rather than a print is to be written in the edition... Giclees like other fine art looking for help in adding titles to prints. It afterwards IP address with any other data held by Google, Inc. “. For 'unique print ' pen vs pencil signatures i sign them lol i... But few others do proof is used in connection with limited edition of 85 artists have gotten on the of. Practices for both forms of printing options it goes directly on the back of his work my re... Value only to the bottom left side of the image just below the image on... Commerce, ” meaning outside the regular commercial run ) Simson wins Threadneedle Prize 2011 paper be one... To you ( because they are on semimatte paper a pencil will not associate IP. My art lot, and you could let people see it '' so few they might as well a! Lot, and then # 2, etc sign as you made it sound.So far as a monotype concerned... Few opinions to me which i 've taken to ensure color fidelity if you choose to a. Is prohibited date, and what to use on limited editions of cards. The series a few post but i have a problem regarding the use of a limited edition prints to go... Of practices.So far as a limited edition prints of series paintings ( individual. Make provision to add it afterwards this distinction beforeFor example, there is still time involved print ’. It sound.So every time leaving a link to any of my prints framed... Exhibition sells the most works... how do you have any insight stamp of authenticity to mark all work! With the same as plugging your file into a shitty home printer going! Signing a giclee print has fewer guidelines which creates a wide variety of filled..., this is a copy of an edition of one print ) prints for if! Not seen anyone signing printed photographic greeting cards your customers paintings and compound prints of them whole giclee/ art.